Emma Lovell Yoga

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Category Archives bodies

The hands

Posted on by Emma

This week we’re considering the hands and wrists.  We’re thinking about keeping our wrists and fingers mobile and healthy through variation in movement, and also how best to use the hands to support us in poses to avoid injury or strain.  Here’s a handy guide on where to place the weight in downward dog:

 

We tend to push a lot with our hands in yoga, supporting weight through our hands in many poses, but never actually ‘pulling’ with our hands.  It’s important to keep the joints healthy and not trapped in the same movement patterns by using the hands, wrists, and shoulders  in other ways, for example hanging:

Katy Bowman has a great article here on preparing for hanging and swinging, with variety being the key:

‘Vary your hand positions and vary the surfaces you hang from. Vary the bars and sometimes head for the trees. Size and texture are variables. So are scapula and hand positions. The more you mix it up, the more of “you” you invite to the party.’

 




Centre

Posted on by Emma

via here

reaching the centre

in yoga practice

you try to reach that centre inside your body

from which it is possible to expand…

in yoga, with listening, with attention

with the clarity that comes from the practice

slowly slowly slowly

you touch the spot from which you can expand

into the ground and into space

 

Challenge your centre

‘To stabilise your body around neutral, and in particular your core, limits movement in the spine whilst also limiting…full movement potential.

How can we know where centre is if we don’t know where the boundary or limits to our centre are?’  Gary Ward, What the Foot?

 

<h3 class='artwork-heading'>Robert Kinmont 8 Natural Handstands</h3><p class='artwork-info'>1969/2009<br>nine silver gelatin prints, Ed.10<br>21.5 x 21.5 cm Courtesy Alexander and Bonin </p><h3 class='artwork-heading'>Robert Kinmont 8 Natural Handstands</h3><p class='artwork-info'>1969/2009<br>nine silver gelatin prints, Ed.10<br>21.5 x 21.5 cm Courtesy Alexander and Bonin </p><h3 class='artwork-heading'>Robert Kinmont 8 Natural Handstands</h3><p class='artwork-info'>1969/2009<br>nine silver gelatin prints, Ed.10<br>21.5 x 21.5 cm Courtesy Alexander and Bonin </p>

Handstand images from Natural Handstands.




Move Me

Posted on by Emma

Take part in this really interesting and exciting project created by Rachel Johnston. It will make you really think about how and why you move the way you do…

Here are the details:

**** ABOUT MOVE ME ****

Move Me is an ever evolving survey designed to prompt people to think more deeply about their bodies in terms of movement choices, habits and patterns.Created, curated and edited by Rachel Johnston, a yoga teacher and artist living and working in London, the project is about commonality; The one thing we all have in common is that we have to move to live.

Our most basic movement choices can mould us, literally. It is through choices of movement and the cellular loads created that our bodies become our autobiography. These choices and imperatives also demonstrate the connection between our appearance and our habits of mind, express our values and our politics, bond us with friends/family and function as our armor or disguise.

Human beings are not built to float. They need an earthly anchor of meaning and care so they don’t get lost in confusion. This survey, with your help, is my contribution to that anchor of meaning. The information gathered is being used on an ongoing blog and as part of an art project, both aim to express a riot of opinion and give a snapshot of the complexity of modern movement decisions with cultural influences: an ethnography of individual emotion; a portrait of the human body today revealing impulses that influence our daily ritual of being.

Anyone who has a body is invited to take part!

THANK YOU for taking the time to have a look. If you would like to be a part of the project then head over to the survey page or contact Rachel directly.




Posted on by Emma

‘There’s a simple movement that we’ve all been doing since the beginning of time. It is nature’s way of restoring full muscle function and length to a muscle and it is much more effective than stretching. It is called PANDICULATION. One could say that pandiculation is like a “software update” for your brain: it “re-boots” the brain’s sensation and control of the muscles every time you do it.

If you have ever watched a cat or dog as it gets up from rest you know that it arches its back, then drops its belly and curves downward lengthening its legs, back, and belly in a full body “yawn.” Animals aren’t stretching. They’re pandiculating. After it does this simple maneuver, it jumps off the couch and goes running off to play. Do you remember when you used to do that? You’d wake up, gently tighten your arms and legs inward, feel a yawn coming on, and then reach your arms above your head, then reach one leg down and then the other. You would first contract your muscles, then lengthen them, then completely relax.

There are three elements to a pandiculation:

  • A voluntary contraction into the muscles…
  • Followed by a slow lengthening…
  • And a complete relaxation.

This action, much like a pleasant yawn, re-sets both muscle length and function at the brain level; it “reminds” our muscles that they don’t have to stay stuck in a contracted state.  Pandiculation “turns on a light” in the sensory motor system and improves proprioception, which helps you sense your own body more accurately. When you contract a muscle tighter than its present contraction rate, the brain (the command center of the muscles) receives strong sensory feedback, which allows it to “refresh” its sensation of the muscles. By slowly lengthening from that initial contraction, the brain can then lengthen the muscle past the point of its former, tighter length and into a new, fuller range. The result is a more relaxed muscle and greater voluntary muscle control and coordination.’ From here

 




Emotions, back pain, yoga

We’ve been looking at the low back this week in class, exploring how limited mobility in certain areas of the body can affect other areas of hyper-mobility, especially with regards to the low back: ‘the body’s natural tendency is to continually move in the places where motion is already easy’.  Here’s a great article by Jenni Rawlings explaining this, with a few helpful tips when back bending.

Another interesting watch is this video from Leslie Kaminoff looking at the relationship between emotions, back pain and yoga: ‘Emotional suppression does not occur in a physical vacuum, you do it with your body, and your body is where you’re feeling the pain.’


Found here




More on stretching…

Another interesting article to add to the ‘stretching’ debates:

‘Even the stretched out yogi who can put their hands on the floor can have areas of the hamstrings that are painful and held very tight.  Everything around that tight spot is so loose and limber to allow the movement in the joint, but the careful ‘combing through’ the tissue I do as a bodyworker reveals these islands of supreme tension within the ocean of availability.’

Full article here

 




Posted on by Emma

‘Unfortunately, the extensive moralizing within the ecological movement has given the public the false impression that they are being asked to make a sacrifice- to show more responsibility, more concern, and a nicer moral standard.  But all that would flow naturally and easily if the self were widened and deepened so that the protection of nature was felt and perceived as protection of our very selves.’  Arne Naess

 




Posted on by Emma

‘The environmental crisis has deep attitudinal roots.  To restore our environment we need to heal our relationship with it, and that means healing the split in the psyche that cuts us off from the material world.  It means revisioning the relation of mind and matter.  The bulldozing of nature and the abuse of our own bodies reveal the depth of this separation, the fear it engenders, and the need to control… Matter itself, if we attend to it mindfully and gracefully, can help liberate us from delusion; for it is mind, not matter, that is in bondage.’  Joanna Macy, World as Lover, World as Self




Sensing your own body is more complicated than you realize

Proprioception

‘Close your eyes and touch your nose. If everything is working properly, this should be easy because your brain can sense your body, as well as its position and movement through space. This is called proprioception.’  Full article here

Interoception“Proprioception is when you hold your arms out, close your eyes, and you can touch your nose. If you just hold your arm out and close your eyes, how do you know you have an arm? The internal subjective experience of an arm: that’s interoception. It generally goes along slower pathways.“ Source

Interoception

‘Proprioception is when you hold your arms out, close your eyes, and you can touch your nose. If you just hold your arm out and close your eyes, how do you know you have an arm? The internal subjective experience of an arm: that’s interoception. It generally goes along slower pathways.

Interoception connects differently in the brain, it’s much more associated with consciousness.’  From here

Dissociation

‘There’s a real skill to be in the body and it’s really hard work and it’s often our mind likes to do things quickly and there’s this quick default assumption that our body is there, and often it’s not often there as much as it could be.’

Click here to listen to the full podcast with Steve Haines.




Home practice

We’ve been exploring practicing yoga at home this week.  Many people find once they have been attending a regular yoga class for  a while they want to start putting what they have learnt into practice at home.  But where to start?

Practicing yoga at home is really different from going to a class, and it can be a really hard thing to get motivated to do.  You don’t have a teacher telling you what to do or guiding you through a carefully sequenced class.  It’s just you and your body and a load of postures you’re not even sure you have right!  I know I have struggled to build up a regular home practice in the past, mainly because I told myself I didn’t have the time or a quiet enough space in which to do so.  Here are some tips and ideas I’ve learnt from teachers and my own practice that may help inspire you to get on your mat:

– Before you start, ask yourself what you need from your practice at that moment– it will be different every day.  Perhaps you have a sore neck and so make that your focus of your movements.  Maybe you feel tired and so want a more restorative practice, or maybe because you’re tired you’d like to feel more energized and so a bit of handstand practice or sun salutations would work.  

– Listen to your body and don’t force yourself to practice something you don’t want to; your practice shouldn’t be a chore to get through, but something enjoyable:

‘We’re trying to make our life listen to our practice. So let your practice conform to your life. Don’t make it something outside the boundaries of where you are and what you’re feeling and what you’re needing.‘ Read Judith Lasater’s full interview on home practice here– it has some really useful tips.

Home practice doesn’t have to be long, some days it may be 5 minutes, other days you might find you have been practicing for over an hour.  It also doesn’t have to take place in an ‘appropriate’ quiet space.  Although it can be nice to dedicate a space just for your practice, some days I like to practice out in the garden, with all the distractions that go with that.  Other days there might be lots of noise/people around the house, and some days I may not even have a mat with me.   It’s about being creative with what you’ve got.  Instead of trying to shut them out, work with the distractions and see what comes up in your body and thoughts as you practice- you may even find that your focus improves as a result.

– Get familiar with the basic poses and maybe just practice one or two poses a day.  Don’t worry about ‘doing it right’-  as long as you are not in pain, just go with the pose as you know it – notice how it feels for your body- what would make it better, what could you soften.  Keep asking questions.  As you become more familiar with the poses, you may then start building them into sequences.  Another idea is to practice a sequence from the class you attended that week (see below for some of the more familiar sequences that we practice in class).

– As you practice, observe and listen to the body.  Notice what shapes the body prefers/doesn’t prefer. Notice what your favourite pose is and what your least favourite pose is.  Notice the habitual patterns you hold in the body- do you always step back to downward dog with the same leg?  Is one leg easier to balance on than the other?  For every pose see if there is something you can take away or soften, something you don’t need (e.g clenching your toes in tree pose, holding in your belly in tadasana).  As you become more aware of the body and its patterns it will be easier to tune in and see what you need from your practice at that moment.

Explore, experiment, and have fun!  Remember that it doesn’t matter what you look like it the shape, it’s how it feels- play around with the shapes, make mistakes.

Keep it simple.  You don’t have to plan elaborate sequences or try and get yourself in the most extreme shape you can.  Listen to your body and go from there. Home practice for you today may just be sitting on a cushion and listening to your breath.

 

Here are a few sequences for you to try at home (they should be pretty familiar if you come to my classes already):

1. Tadasana (mountain pose), Uttanasana (forward fold), Ardo mukha svanasana (downward dog), Malasana (squat), ardo mukha svanasana, uttanasana, tadasana,

2. Tadasana, uttanasana, ardha uttanasana (half forward fold), right leg step back to low lunge, ardo mukha svanasana, right leg step forward to lunge, ardha uttanasana, uttanasana, tadasana.  Repeat on left side.

3. Balasana (child’s pose), cat/cow, bhujangasana (cobra), ardo mukha svanasana (downward dog), plank, balasana. Repeat.