Emma Lovell Yoga

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Category Archives movement

How We Form and Move with Joanne Avison’

Grab a cup of tea, take a seat (or squat) and have a listen to this fascinating podcast from Joanne Avison on Liberated Body.  This will change the way you think about the body and how you move.  Here’s the synopsis:

Joanne Avison, author of Yoga, Fascia, Anatomy, and Movement, talks with me about fascia and why it has been overlooked historically (which includes a fascinating tour through the history of anatomy and its relationship to the Catholic church), how we form embryologically and what implications that has for biomechanics vs. biotensegrity (or biomechanics vs. biomotion). We also discuss what that changes when we have to reconfigure the language we use about movement and the body.

Click here for the interview.




The eyes

‘…our bodies are casted not only by what we do, but by what we don’t do. For example, many of us have “casted” the ciliary muscles of our eyes through exceptionally high amounts of close-looking (computers, smart phones, iPads, books, the walls of our homes, offices and classrooms) and exceptionally low amounts of looking to great distances.’  Katy Bowman.  See full article here for further explanation.

 

Here are a few exercises you might like to try to improve muscle weakness around the eyes and to help eyes strain.

 

tibetan eye chart

For generations the people of Tibet have used natural methods to correct visual weakness and improve their eyesight. Chief among the methods employed has been the use of certain exercises which have proved useful over long periods of time. The figure on this chart was designed by Tibetan Lama Monks to give the necessary corrective exercises and stimulation to the muscles and nerves of the optical system. The eye Muscles focus similar to a camera shutter. The purpose of these exercises is to strengthen the eye muscles to improve vision. Practice a few minutes morning and evening and see if you notice its effects.

How to Use the Chart

These exercises are to be done without eyeglasses or contacts. Do each movement for 30 seconds while in a sitting position, spine straight and do not move the head side to side. Move only the eyes.

1.) With the palm of each hand cup both closed eyes to relax them.

2.) Move the eyes clockwise around the outer circle of dots

3.) Repeat this movement in a counterclockwise rotation

4.) Move the eyes back and forth between the dots at 2 and 8 o’clock

5.) Repeat this movement back and forth between dots at 4 and 10 o’clock

6.) Blink the eyes briefly and finish therapy with the palming same as exercise #1

Repeat exercises as desired being careful to avoid strain.

Source:  http://www.wellnesshour.net/tibet.htm via here.

 

Here’s a couple of exercises from this article in Yoga International:

1. Palming

 Rub your hands together for 10 to 15 seconds until they feel warm and energized. Then gently place your hands over your eyes, with the fingertips resting on the forehead, the palms over the eyes, and the heels of the hands resting on the cheeks. Don’t touch the eyeballs directly, but hollow the hands slightly and allow them to form a curtain of darkness in front of the eyes. Close your eyes, breathe deeply, and relax. Envision the eyes absorbing the darkness like a sponge, while also welcoming healing warmth and energy from the hands. Invite the eyes to grow soft and spacious, and enjoy this break from visual stimulation. Continue this palming action as long as it feels soothing—for just a few seconds or up to five minutes. When you are ready to emerge, gently remove the hands from the face and slowly open the eyes.

This palming technique can also be done after the eye exercises that follow to further rest the eyes.

2. Eye Rolling

 Sit upright with a long spine and relaxed breath. Soften your gaze by relaxing the muscles in your eyes and face. Without moving your head, direct your gaze up toward the ceiling. Then slowly circle your eyes in a clockwise direction, tracing as large a circle as possible. Gently focus on the objects in your periphery as you do this, and invite the movement to feel smooth and fluid. Repeat three times, then close the eyes and relax. When you’re ready, perform the same eye-rolling movement three times in a counterclockwise direction.

 

As with all movements in the body, variation is key- try to vary your focus by spending some time looking at the furthest thing you can see in the distance, watch sunsets, sunrises, the horizon.  Give your eyes a real break and test your proprioception by practicing a sun salutation with your eyes closed, try a balance with your eyes closed and notice the difference.




Bones

Here’s an article from Todd Hargrove explaining why and how our skeletal structure affects our movement and why an individualised approach is so important in exercise, rather than forcing each body into ‘some Platonic ideal’: ‘Optimal alignment or posture for a certain function is partly a result of having as many joints in neutral as possible at any one time. And the shape of the bones will determine how many of your joints you can keep in neutral at the same time in a particular functional task…we should be very wary about anyone dictating to us what proper form is in regard to a particular activity without considering our individual variations in structure.‘ Full article here

Here are some very clear illustrations of anatomical variations in pelvic and femur structure- a squat for these two individuals will (and should) look very different:Pic 1

pic 2

pic 3

pic 5

Images from here

 




Better movement

‘Move playfully, experimentally and curiously, with full attention on what you are doing and what you are trying to accomplish.

Focus on movements that are the foundation for your movement health, and have a lot of carryover to many activities, as opposed to movements that are specific and don’t have carryover.

Move as much as you can without injury, pain or excess threat, wait for the body to adapt, and then move more next time.’

Todd Hargrove on how to ‘move better and feel better’ from A Guide to Better Movement.




The hands

Posted on by Emma

This week we’re considering the hands and wrists.  We’re thinking about keeping our wrists and fingers mobile and healthy through variation in movement, and also how best to use the hands to support us in poses to avoid injury or strain.  Here’s a handy guide on where to place the weight in downward dog:

 

We tend to push a lot with our hands in yoga, supporting weight through our hands in many poses, but never actually ‘pulling’ with our hands.  It’s important to keep the joints healthy and not trapped in the same movement patterns by using the hands, wrists, and shoulders  in other ways, for example hanging:

Katy Bowman has a great article here on preparing for hanging and swinging, with variety being the key:

‘Vary your hand positions and vary the surfaces you hang from. Vary the bars and sometimes head for the trees. Size and texture are variables. So are scapula and hand positions. The more you mix it up, the more of “you” you invite to the party.’

 




Posted on by Emma

‘So do flux and reflux- the rhythm of change-alternate and persist in everything under the sky.’ Thomas Hardy, Tess of the d’Urbervilles




Centre

Posted on by Emma

via here

reaching the centre

in yoga practice

you try to reach that centre inside your body

from which it is possible to expand…

in yoga, with listening, with attention

with the clarity that comes from the practice

slowly slowly slowly

you touch the spot from which you can expand

into the ground and into space

 

Challenge your centre

‘To stabilise your body around neutral, and in particular your core, limits movement in the spine whilst also limiting…full movement potential.

How can we know where centre is if we don’t know where the boundary or limits to our centre are?’  Gary Ward, What the Foot?

 

<h3 class='artwork-heading'>Robert Kinmont 8 Natural Handstands</h3><p class='artwork-info'>1969/2009<br>nine silver gelatin prints, Ed.10<br>21.5 x 21.5 cm Courtesy Alexander and Bonin </p><h3 class='artwork-heading'>Robert Kinmont 8 Natural Handstands</h3><p class='artwork-info'>1969/2009<br>nine silver gelatin prints, Ed.10<br>21.5 x 21.5 cm Courtesy Alexander and Bonin </p><h3 class='artwork-heading'>Robert Kinmont 8 Natural Handstands</h3><p class='artwork-info'>1969/2009<br>nine silver gelatin prints, Ed.10<br>21.5 x 21.5 cm Courtesy Alexander and Bonin </p>

Handstand images from Natural Handstands.




Movement

Posted on by Emma

‘Everything is in motion.  Everything flows.  Everything is vibrating.’ William Hazlitt

From &ldquo;Fruits and Flowers&rdquo;, c. 1920s.

‘Movement is present in every aspect of life and stability is nowhere…In every ‘thing’ there is a centre, a point of optimal balance, where performance and opportunity for the ‘thing’ in question is maximised and optimised.  There is also an allowance, a distraction from centre that is deemed as normal.  Since centre is a stable point, it is impossible to maintain it, and so the body has an awareness of either side of centre that allows for comfort and wellbeing and the ebb and flow of life.’  Gary Ward, What the Foot

 




Move Me

Posted on by Emma

Take part in this really interesting and exciting project created by Rachel Johnston. It will make you really think about how and why you move the way you do…

Here are the details:

**** ABOUT MOVE ME ****

Move Me is an ever evolving survey designed to prompt people to think more deeply about their bodies in terms of movement choices, habits and patterns.Created, curated and edited by Rachel Johnston, a yoga teacher and artist living and working in London, the project is about commonality; The one thing we all have in common is that we have to move to live.

Our most basic movement choices can mould us, literally. It is through choices of movement and the cellular loads created that our bodies become our autobiography. These choices and imperatives also demonstrate the connection between our appearance and our habits of mind, express our values and our politics, bond us with friends/family and function as our armor or disguise.

Human beings are not built to float. They need an earthly anchor of meaning and care so they don’t get lost in confusion. This survey, with your help, is my contribution to that anchor of meaning. The information gathered is being used on an ongoing blog and as part of an art project, both aim to express a riot of opinion and give a snapshot of the complexity of modern movement decisions with cultural influences: an ethnography of individual emotion; a portrait of the human body today revealing impulses that influence our daily ritual of being.

Anyone who has a body is invited to take part!

THANK YOU for taking the time to have a look. If you would like to be a part of the project then head over to the survey page or contact Rachel directly.